States of Emergency: Documentaries, Wars, Democracies
Patricia Zimmermann describes the shifting terrains socially engaged documentary artists and experimental filmmakers encounter in the aftermath of corporate consolidation and technological transformations. Public space has been chiseled away and politically conscious documentaries forced to go underground. Viewing an array of subjects through technologies ranging from high-end video, camcorders, cable access, digital imaging systems, and media piracy, Zimmermann charts the intricately layered relationships between independent documentary, power, money, and culture.