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"What One Sees and How One Files Seeing: Human Rights Reporting, Representation and Action"

This article argues that the forms through which violence and atrocity are expressed – legal, statistical and testimonial – are important objects of analysis because credo is manifest in form, and an examination of form reveals something about the relationship between the ‘world view’ of human rights organizations and the ‘styles of thought’ that shape and inform their representations.

"Theorizing refugeedom: becoming young political subjects in Beirut."

Refugees can be formed as “subjects” as they navigate forced displacement in countries that are not their own. In particular, everyday life as the politicized Other, and as humanitarianism’s depoliticized beneficiary, can constitute them as political subjects. Understanding these produced subjects and subjectivities leads us to conceive of forced displacement – or “refugeedom” – as a human condition or experience of political (sub)alterity, within which inhere distinctive subjectivations and subjectivities.

"Standardizing Refuge: Pipelines and Pathways in the US Refugee Resettlement Program."

How do bureaucracies pattern durable inequalities? Predominant approaches emphasize the role of administrative categories, which prioritize certain populations for valued resources based on broader regimes of human worth. This article extends this body of work by examining how categorical inequalities become embedded within administrative infrastructures and institutional pathways. I develop this argument through a case study of the United States’ refugee resettlement program.

Ambiguities of Domination: Politics, Rhetoric, and Symbols in Contemporary Syria

Treating rhetoric and symbols as central rather than peripheral to politics, Lisa Wedeen’s groundbreaking book offers a compelling counterargument to those who insist that politics is primarily about material interests and the groups advocating for them. During the 30-year rule of President Hafiz al-Asad’s regime, his image was everywhere. In newspapers, on television, and during orchestrated spectacles.