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Prisoner Without a Name, Cell Without a Number

Prisoner Without a Name, Cell Without a Number is a non-fiction memoir published in 1981 by the Soviet-born Argentine author Jacobo Timerman. At two in the morning of April 15, 1977, twenty armed men in civilian clothes arrested Jacobo Timerman, editor and publisher of leading Buenos Aires newspaper, La Opinión. Thus began thirty months of imprisonment, interrogation, and torture. Unlike 15,000 other Argentines, 'the disappeared,' Timerman was eventually released into exile.

Human Flow

More than 65 million people around the world have been forced from their homes to escape famine, climate change and war, the greatest displacement since World War II. Filmmaker Ai Weiwei examines the staggering scale of the refugee crisis and its profoundly personal human impact. Over the course of one year in 23 countries, Weiwei follows a chain of urgent human stories that stretch across the globe, including Afghanistan, France, Greece, Germany and Iraq.

The Act of Killing

Directed by Joshua Oppenheimer, The Act of Killing is a journey into the memories and imaginations of perpetrators, offering insight into the minds of mass killers. The Act of Killing is about killers who have won, and the sort of society they have built. Unlike aging Nazis or Rwandan génocidaires, they have not been forced by history to admit they participated in crimes against humanity. Instead, they have written their own triumphant history, becoming role models for millions of young paramilitaries.

Shoah

Over a decade in the making, Claude Lanzmann’s nine-hour-plus opus is a monumental investigation of the unthinkable: the murder of more than six million Jews by the Nazis. Using no archival footage, Lanzmann instead focuses on first-person testimonies (of survivors and former Nazis, as well as other witnesses), employing a circular, free-associative method in assembling them.

Pachinko

In this gorgeous, page-turning saga, four generations of a poor Korean immigrant family fight to control their destiny in 20th-century Japan, exiled from a home they never knew.

Firaaq

Following riots in Gujarat, Arati experiences guilt when she did not open her door to shelter an injured Muslim woman. Her husband, Sanjay, had looted merchandise from shops, and his brother, Devan, had even sexually molested Muslim women. A young lad, Mohsin, leaves the safety of an army-guarded camp to look for his father. Meanwhile a music maestro, Jahangir Khan, faces isolation. Sameer Shaikh and his Hindu wife, Anuradha, decide to re-locate to Delhi.