Virtual Library

Digital space has provided an important platform for women by enabling them to defy religious and patriarchal values while rendering their demands more visible in the public sphere. By analyzing the stories of 3349 murdered women, consulting 57 activist‐published materials, studying 37 protest‐focused videos, and using digital ethnography, this article explores Turkish women's struggles against femicide. I propose the emancipatory and democratizing counterpublics as an analytical concept to demonstrate how women challenge epistemic injustice and male violence. To this end, I investigate the struggles of women by studying their use of digital space as a means of breaking the silence on femicide, creating data, disseminating knowledge, and seeking justice. This article highlights the essential role of new media technologies in empowering vulnerable groups through the generation of new forms of knowledge, the formation of collective memory, and the elimination of epistemic injustice in opposition to the ruling authorities. The present study contributes to our knowledge of the sociology of epistemic injustice by demonstrating how digital space plays a limited but critical role in the efforts of activists living under authoritarian regimes to defend their fundamental rights to survive and prevent femicide, which has a devastating impact on the lives of millions of women.

Israel's occupation has been transformed in the social media age. Over the last decade, military rule in the Palestinian territories grew more bloody and entrenched. In the same period, Israelis became some of the world's most active social media users. In Israel today, violent politics are interwoven with global networking practices, protocols, and aesthetics. Israeli soldiers carry smartphones into the field of military operations, sharing mobile uploads in real-time. Official Israeli military spokesmen announce wars on Twitter. And civilians encounter state violence first on their newsfeeds and mobile screens.

Across the globe, the ordinary tools of social networking have become indispensable instruments of warfare and violent conflict. This book traces the rise of Israeli digital militarism in this global context—both the reach of social media into Israeli military theaters and the occupation's impact on everyday Israeli social media culture. Today, social media functions as a crucial theater in which the Israeli military occupation is supported and sustained.

This paper examines public opinion and media coverage surrounding four important events which affected the development of homosexual rights in Maine in the 1970s: the birth of a homosexual student group on a University of Maine campus and the conference it organized; the adoption of a gay rights plank in the election platform of the state's Democratic Party; revisions to the state's criminal code which decriminalized homosexual activities; and a second conference organized by the student group. Only the first event aroused major public outcry. We describe these events in detail, examine how the media covered them, and analyze why some were more controversial than others. Our analysis shows how differing levels of control over the media affect the rise and resolution of public issues.

In Poetic Operations, artist and theorist micha cárdenas considers contemporary digital media, artwork, and poetry in order to articulate trans of color strategies for safety and survival. Drawing on decolonial theory, women of color feminism, media theory, and queer of color critique, cárdenas develops a method she calls algorithmic analysis. Understanding algorithms as sets of instructions designed to perform specific tasks (like a recipe), she breaks them into their component parts, called operations. By focusing on these operations, cárdenas identifies how trans and gender-non-conforming artists, especially artists of color, rewrite algorithms to counter violence and develop strategies for liberation. In her analyses of Giuseppe Campuzano's holographic art, Esdras Parra's and Kai Cheng Thom's poetry, Mattie Brice's digital games, Janelle Monáe's music videos, and her own artistic practice, cárdenas shows how algorithmic analysis provides new modes of understanding the complex processes of identity and oppression and the intersection of gender, sexuality, and race.