Virtual Library

The Coalition of Immokalee Workers (CIW) employs creative playfulness and subversive storytelling in their human rights campaigns and solidarity-building practices. The article focuses on three particular media to illustrate how they construct transnational solidarity: (1) son jarocho music as a medium for organizing the March for Rights, Respect, and Fair Food targeting Publix Supermarkets for human rights abuses like wage theft; (2) mística theater as a medium for organizing the Encuentro gathering to build their campaign against Wendy’s for failing to free their supply chain from worker abuse; and (3) a grassroots community museum as a medium for building support against slavery. Creative playfulness and subversive storytelling contribute to successes built on human rights principles and realized through corporate accountability strategies. The article describes these media, and shows how they overcome challenges of building transnational solidarity. Finally, it suggests how the CIW has influenced recent farmworker strikes in Mexico.

This article examines the mutually constitutive relationship between global institutions and local social movements. First, drawing on social movement theories and the world society approach, it develops a theoretical framework for understanding the transformative impact of global human rights on local activism. Using interviews and archival and other data sources, the empirical analysis demonstrates that global human rights galvanized (1) the politically dormant Ainu into a thriving indigenous rights movement, (2) the politically active but factious resident Koreans into a more united and successful social movement, and (3) an established Burakumin movement into an international human rights organization. The fundamental similarity of rising activism for all three groups supports the world society thesis, but in-depth examination of concrete mechanisms unpacks complex global-local interplay and reveals intranational diversity in the impact of global human rights. Second, drawing on organizational institutionalism, I examine how local activism feeds back to global institutions. The empirical analysis details how local actors consolidate and expand global human rights.

Macrolevel theories of social movement emergence posit that political opportunity “opens the door” for collective action. This article uses the case of the Warsaw Ghetto Uprising to show that collective action need not always require opportunity. Warsaw Jews’ armed resistance was a response not to opportunity but to a lack thereof. Equally important was a strong sense of honor among the ghetto fighters: the hopelessness of their situation helped construct a motivational frame that equated resistance with honor and made collective resistance possible. This case therefore illustrates how framing processes can mediate structural conditions to produce collective action in the absence of opportunity. It also points to the need for additional research on protest and resistance in nondemocratic settings.

This paper re-examines the sociological study of resistance in light of growing interest in the concept of affect. Recent claims that we are witness to an ‘affective turn’ and calls for a ‘new sociological empiricism’ sensitive to affect indicate an emerging paradigm shift in sociology. Yet, mainstream sociological study of resistance tends to have been largely unaffected by this shift. To this end, this paper presents a case for the significance of affect as a lens by which to approach the study of resistance. My claim is not simply that the forms of actions we would normally recognize as resistance have an affective dimension. Rather, it is that the theory of affect broadens ‘resistance’ beyond the purview of the two dominant modes of analysis in sociology; namely, the study of macropolitical forms, on the one hand, and the micropolitics of everyday resistance on the other. This broadened perspective challenges the persistent assumption that ideological forms of power and resistance are the most pertinent to the contemporary world, suggesting that much power and resistance today is of a more affective nature. In making this argument, it is a Deleuzian reading of affect that is pursued, which opens up to a level of analysis beyond the common understanding of affect as emotion. I argue that an affective approach to resistance would pay attention to those barely perceptible transitions in power and mobilizations of bodily potential that operate below the conscious perceptions and subjective emotions of social actors. These affective transitions constitute a new site at which both power and resistance operate.

How and why do movements transition from everyday resistance to overt collective action? This article examines this question taking repressive environments and threat as an important case in point. Drawing on primary and secondary data sources, I offer comparative insights on resistance group dynamics and perceptions of threat in three Nazi death camps—Sobibór, Treblinka, and Auschwitz—between 1941 and 1945. Prisoners formed resistance groups at each camp, but collective revolt occurred in only certain cases: when the collective perception of threat at a given camp was viewed as both immediate and lethal. The interpretation of changing, threatening conditions, and an understanding of structural and interactional opportunities for group identity and tactical strategizing, are vital for understanding collective action in repressive environments. I conclude by discussing these lessons pertaining to threat and their implications for repressive contexts and broader social movement theorizing.

This paper addresses how New York City's workfare program has structured opportunities for collective action by welfare recipients. As workfare blurs the distinction between wage workers and welfare recipients, it calls into question accepted understandings of the rights and obligations of welfare recipients and fosters new claims on the state. The concept of “cultural opportunity structures” can help to explain the political mobilization of workfare participants if it is linked to a Durkheimian tradition of cultural analysis attentive to symbolic classification. The dramaturgic approach to culture exemplified in the work of Erving Goffman can usefully complement this structural approach if a narrow focus on frames and framing processes is broadened to include interaction rituals and ceremonial profanation.

Across Latin America, the 1990s saw an increase in popular lynchings of suspected criminals at the hands of large crowds. Although it is often assumed that these incidents involve random, regrettable, and relatively spontaneous acts of violence or throwbacks to the past, I argue in this article that these represent purposeful, powerful, and deeply political acts. Most literature on the region tends to regard contemporary violence as a predominantly “top-down” phenomenon—by state against citizen, landowner against peasant, mestizo against Indian—yet these incidents reveal a new sort of violence that originates at the bottom. I argue that the lynchings suggest an attempt by embattled communities to reassert their autonomy after decades of repeated assault by state armies, local elites, the globalized economy, and other adversaries. By enacting these highly ritualized, unequivocally public displays of “justice,” marginalized communities seek not only to punish and to deter criminal activity, but perhaps more importantly, to reassert themselves collectively as agents rather than victims. In this way, lynchings may reveal a dark side of what passes for “democracy” in the region.

While transitions to democracy have been hailed as the most important phenomena of this century, few scholars understand the role that women have played in these metamorphoses. This article uses an historical in-depth case study to examine how and why women mobilized against the state in Chile. Previous social movement theories have not attended adequately to cultural and ideational elements (e.g., gender ideology), much less these factors in the Third World and authoritarian context. In contrast, the present study modifies and extends the concepts of political opportunity structure and collective action frames, suggesting that the manner in which ideology and cultural themes are framed may provide opportunities for protest, especially in the authoritarian context. Specifically, the rise and fall of broader mobilizational frames or master frames shapes how movement-specific frames compete, decay, and transform, as some master frames create space for certain ideas (e.g., feminism) while others do not. New hypotheses regarding the use of collective action frames in a nondemocratic setting are offered.