Virtual Library

The Alchemy of Race and Rights is an eloquent autobiographical essay in which the author reflects on the intersection of race, gender, and class. Using the tools of critical literary and legal theory, she sets out her views of contemporary popular culture and current events, from Howard Beach to homelessness, from Tawana Brawley to the law school classroom, from civil rights to Oprah Winfrey, from Bernhard Goetz to Marth Beth Whitehead. She also traces the workings of “ordinary racism”—everyday occurrences, casual, unintended, banal perhaps, but mortifying. Taking up the metaphor of alchemy, Williams casts the law as a mythological text in which the powers of commerce and the Constitution, wealth and poverty, sanity and insanity, wage war across complex and overlapping boundaries of discourse. In deliberately transgressing such boundaries, she pursues a path toward racial justice that is, ultimately, transformative.

Williams gets to the roots of racism not by fingerpointing but by much gentler methods. Her book is full of anecdote and witness, vivid characters known and observed, trenchant analysis of the law’s shortcomings. Only by such an inquiry and such patient phenomenology can we understand racism. The book is deeply moving and not so, finally, just because racism is wrong—we all know that. What we don’t know is how to unthink the process that allows racism to persist. This Williams enables us to see. The result is a testament of considerable beauty, a triumph of moral tactfulness.

Juan Francisco Manzano (1797-1854), an urban slave who taught himself to read and write, and who ultimately achieved fame as a poet in Cuba's colonial slave society, wrote the only known autobiographical account of Latin American slavery. His narrative, composed in two parts, is a heart-rendering history of the systematic, unrelenting destruction of human dignity and individual will. It bears the marks of slavery, not merely by virtue of the countless oppressive autobiographical events and the cruel punishments that are narrated, but also because of its unorthodox syntax and orthography in the original manuscript, and the destruction of the second half of Manzano's history which "disappeared" mysteriously during his lifetime and has never surfaced since. In this first bilingual edition of the volume, Evelyn Picon Garfield provides a careful translation of Manzano's somber narration. Ivan Schulman introduces the text to place it in historical and cultural context.

In 1988 Patrick Modiano stumbled across an ad between the stock market report and a story of a school visit to Marechal Petain in the personal columns of Paris Soir from December 31, 1941: "We are looking for a young girl, Dora Bruder, 15 years old, five feet tall, round face, gray-brown eyes, gray sportscoat, burgundy pullover, navy blue hat and skirt, brown athletic shoes. Send all information to Mr. and Mrs. Bruder, 41, Boulevard Ornano, Paris."
Placed by the parents of a 15-year-old Jewish girl who had run away from her convent school just before New Year's Eve, this ad set Modiano on a quest to find out everything he could about Dora Bruder and why she ran away from the Catholic boarding school that had been hiding her. He found only one other official mention of her name: on a list of Jews deported from Paris to Auschwitz in September 1942.
With no knowledge of Dora Bruder aside from these two records of disappearances, Modiano continued to dig for fragments from Dora's past. What little he found in official records or through remaining family members, Modiano transforms into a meditation on the immense losses of the period--lost people, lost stories, and lost history. As he tries to find connections to Dora, Modiano delivers a moving account of the ten-year investigation that took him back to the sights and sounds of Paris under the Occupation and the paranoia of the Petain regime. In his efforts to exhume her from the past, Modiano realizes that he must come to terms with the specters of his own troubled adolescence. The result is a montage of creative and historical material that unfolds as a moving rumination on loss

The Drowned and the Saved is a book of essays by Italian-Jewish author and Holocaust survivor Primo Levi on life and death in the Nazi extermination camps, drawing on his personal experience as a survivor of Auschwitz. The author's last work, written in 1986, a year before his death, The Drowned and the Saved is an attempt at an analytical approach, in contrast to his earlier books If This Is a Man (1947) and The Truce (1963), which are autobiographical. Levi breaks his book into eight essays, ranging from topics like the unreliability of memory to how violence twists both the victim and the victimizer.

Along with Elie Wiesel and Hannah Arendt, Primo Levi is remembered as one of the most powerful and perceptive writers on the Holocaust and the Jewish experience during World War II. 

Now a global bestseller, the remarkable life of Rigoberta Menchú, a Guatemalan peasant woman, reflects the experiences common to many Indian communities in Latin America. Menchú suffered gross injustice and hardship in her early life: her brother, father and mother were murdered by the Guatemalan military. She learned Spanish and turned to catechistic work as an expression of political revolt as well as religious commitment. Menchú vividly conveys the traditional beliefs of her community and her personal response to feminist and socialist ideas.

One of the most memorable slave narratives, Harriet Jacobs's Incidents in the Life of a Slave Girl illustrates the overarching evil and pervasive depravity of the institution of slavery. In great and painful detail, Jacobs describes her life as a Southern slave, the exploitation that haunted her daily life, her abuse by her master, the involvement she sought with another white man in order to escape her master, and her determination to win freedom for herself and her children. From her seven years of hiding in a garret that was three feet high, to her harrowing escape north to a reunion with her children and freedom, Jacobs's Incidents in the Life of a Slave Girl remains an outstanding example of one woman's extraordinary courage in the face of almost unbeatable odds, as well as one of the most significant testimonials in American history.

Kim Yong shares his harrowing account of life in a labor camp--a singularly despairing form of torture carried out by the secret state. Although it is known that gulags exist in North Korea, little information is available about their organization and conduct, for prisoners rarely escape both incarceration and the country alive. Long Road Home shares the remarkable story of one such survivor, a former military official who spent six years in a gulag and experienced firsthand the brutality of an unconscionable regime.

As a lieutenant colonel in the North Korean army, Kim Yong enjoyed unprecedented privilege in a society that closely monitored its citizens. He owned an imported car and drove it freely throughout the country. He also encountered corruption at all levels, whether among party officials or Japanese trade partners, and took note of the illicit benefits that were awarded to some and cruelly denied to others.

When accusations of treason stripped Kim Yong of his position, the loose distinction between those who prosper and those who suffer under Kim Jong-il became painfully clear. Kim Yong was thrown into a world of violence and terror, condemned to camp No. 14 in Hamkyeong province, North Korea's most notorious labor camp. As he worked a constant shift 2,400 feet underground, daylight became Kim's new luxury; as the months wore on, he became intimately acquainted with political prisoners, subhuman camp guards, and an apocalyptic famine that killed millions.

After years of meticulous planning, and with the help of old friends, Kim escaped and came to the United States via China, Mongolia, and South Korea. Presented here for the first time in its entirety, his story not only testifies to the atrocities being committed behind North Korea's wall of silence but also illuminates the daily struggle to maintain dignity and integrity in the face of unbelievable hardship. Like the work of Solzhenitsyn, this rare portrait tells a story of resilience as it reveals the dark forms of oppression, torture, and ideological terror at work in our world today.

Congressman John Lewis (GA-5) is an American icon and key figure of the civil rights movement. His commitment to justice and nonviolence has taken him from an Alabama sharecropper's farm to the halls of Congress, from a segregated schoolroom to the 1963 March on Washington, and from receiving beatings from state troopers to receiving the Medal of Freedom from the first African-American president.

Now, to share his remarkable story with new generations, Lewis presents March, a graphic novel trilogy, in collaboration with co-writer Andrew Aydin and New York Times best-selling artist Nate Powell (winner of the Eisner Award and LA Times Book Prize finalist for Swallow Me Whole).

March is a vivid first-hand account of John Lewis' lifelong struggle for civil and human rights, meditating in the modern age on the distance traveled since the days of Jim Crow and segregation. Rooted in Lewis' personal story, it also reflects on the highs and lows of the broader civil rights movement.

Book One spans John Lewis' youth in rural Alabama, his life-changing meeting with Martin Luther King, Jr., the birth of the Nashville Student Movement, and their battle to tear down segregation through nonviolent lunch counter sit-ins, building to a stunning climax on the steps of City Hall.

Many years ago, John Lewis and other student activists drew inspiration from the 1958 comic book Martin Luther King and the Montgomery Story. Now, his own comics bring those days to life for a new audience, testifying to a movement whose echoes will be heard for generations.

Born into slavery in 1818, Frederick Douglass escaped to freedom and became a passionate advocate for abolition and social change and the foremost spokesperson for the nation's enslaved African American population in the years preceding the Civil War. My Bondage and My Freedom is Douglass's masterful recounting of his remarkable life and a fiery condemnation of a political and social system that would reduce people to property and keep an entire race in chains.

Triompher du silence : tel est pour Elie Wiesel, témoin et victime de l'Holocauste, le premier acte, peut-être un simple geste de survie, une parole intérieure, secrète, fragile.

Au récit de sa propre expérience succède l'évocation des disparus dont il devient le porte-parole : chants de la mémoire, dialogues avec les ombres toujours présentes des victimes et des combattants dont il dit les angoisses, les interrogations et les rêves.

Et voici qu'apparaît un autre combat. Il s'agit d'apporter aux nouvelles générations non seulement un témoignage, mais une attention, une compréhension et un savoir nés de l'histoire même. Les étapes de ce combat ? Le récit du retour en Allemagne, l'hommage aux victimes du nazisme lors du procès Barbie, la dénonciation du racisme, une réflexion sur la liberté, la guerre et l'indifférence.

Une ultime référence est faite à la Bible, dans une lecture midrashique fraîche et pleine de saveur, ferment d'une sagesse immémoriale.

Exhortation à lutter contre l'oubli et à donner la parole à tous les opprimés, ces textes sont le message d'un chercheur de paix.