Virtual Library

1959年3月10日，拉薩數萬民眾包圍達賴喇嘛的夏宮羅布林卡，阻止他按照原定計劃前往西藏軍區司令部觀看文藝演出。隨後民眾集會遊行，喊出了要求解放軍撤出西藏，要求西藏獨立的口號。那天在拉薩發生的事，史稱「1959年拉薩事件」。事件導致未滿24歲的西藏政教領袖，時任全國人大常委會副委員長、西藏自治區籌委會主任的第十四世達賴喇嘛丹增嘉措率家人和噶廈政府部分主要官員，於17日深夜離開羅布林卡，經過兩周跋涉，翻越喜馬拉雅山，前往印度尋求政治庇護。

本書是以 細緻入微的研究以及公正的立場揭示「1959年拉薩事件」歷史真相的開創性作品。

On March 10th, 1959, tens of thousands of people surrounded Norbulingka, the Dalai Lama's summer palace in Lhasa, preventing him from attending a prescheduled theater performance at the headquarters of the Tibetan Military Region. Soon afterwards, the people carried out a rally and demonstrations, shouting slogans calling for PLA withdrawal from Tibet and Tibetan independence. The events of that day later became known as the "1959 Lhasa Incident." The incident spurred the not yet twenty four-year-old Tibetan religious leader Tenzin Gyatso, the fourteenth Dalai Lama, co-chairman of the National People's Congress Standing Committee, and director of the Tibet Autonomous Region Planning Committee to flee Norbulingka late at night on the 17th. After a two-week journey across the Himalayas, the Dalai Lama, his family members, and some Kashag government officials sought political asylum in India.

On Saturday, September 22, 1928, Barbara Griffiths, age four, strayed into the woods surrounding the upstate village of Massena, New York. Hundreds of people looked everywhere for the child but could not find her. At one point, someone suggested that Barbara had been kidnapped and killed by Jews, and as the search continued, policemen and townspeople alike gave credence to the quickly spreading rumors. The allegation of ritual murder, known to Jews as "blood libel," took hold.

To believe in the accusation seems bizarre at first glance--blood libel was essentially unknown in the United States. But a great many of Massena's inhabitants, both Christians and Jews, had emigrated recently from Central and Eastern Europe, where it was all too common. Historian Edward Berenson, himself a native of Massena, sheds light on the cross-cultural forces that ignited America's only known instance of blood libel, and traces its roots in Old World prejudice, homegrown antisemitism, and the resurgence of the Ku Klux Klan in the 1920s. Residues of all three have persisted until the present day.

More than just the disturbing story of one town's embrace of an insidious anti-Jewish myth, The Accusation is a shocking and perceptive exploration of American and European responses to antisemitism.

Juan Francisco Manzano (1797-1854), an urban slave who taught himself to read and write, and who ultimately achieved fame as a poet in Cuba's colonial slave society, wrote the only known autobiographical account of Latin American slavery. His narrative, composed in two parts, is a heart-rendering history of the systematic, unrelenting destruction of human dignity and individual will. It bears the marks of slavery, not merely by virtue of the countless oppressive autobiographical events and the cruel punishments that are narrated, but also because of its unorthodox syntax and orthography in the original manuscript, and the destruction of the second half of Manzano's history which "disappeared" mysteriously during his lifetime and has never surfaced since. In this first bilingual edition of the volume, Evelyn Picon Garfield provides a careful translation of Manzano's somber narration. Ivan Schulman introduces the text to place it in historical and cultural context.

Sethe, its protagonist, was born a slave and escaped to Ohio, but eighteen years later she is still not free. She has too many memories of Sweet Home, the beautiful farm where so many hideous things happened. And Sethe’s new home is haunted by the ghost of her baby, who died nameless and whose tombstone is engraved with a single word: Beloved. Originally published in 1987, filled with bitter poetry and suspense as taut as a rope, Beloved is a towering achievement.

With Between Vengeance and Forgiveness, Martha Minow, Harvard law professor and one of our most brilliant and humane legal minds, offers a landmark book on justice and healing after horrific violence. Remembering and forgetting, judging and forgiving, reconciling and avenging, grieving and educating -- Minow shows us why each may be necessary, yet painfully inadequate, to individuals and societies living in the wake of past horrors. She explores the rich and often troubling range of responses to massive, societal-level oppression. She writes of the legacy of war-crime prosecutions, beginning with the Nuremberg trials. She explores whether reparation -- such as the monetary awards given to Japanese-Americans for internment during World War II, or art, such as Holocaust memorials -- can be a basis for reconciliation after immeasurable personal and cultural loss. Minow also writes with informed, searching prose of the extraordinary drama of truth commissions in Argentina, East Germany, and most notably South Africa, and in the process delves into the risks and requirements involved in hearing from victims, the dynamics of gender, and the value of even imperfect gestures in the midst of these riveting experiments in justice and healing.

Part philosophical meditation, part cultural critique, The Body in Pain is a profoundly original study that stirred excitement in a wide range of intellectual circles. The book is an analysis of physical suffering and its relation to the numerous vocabularies and cultural forces--literary, political, philosophical, medical, religious--that confront it.

Elaine Scarry bases her study on a wide range of sources: literature and art, medical case histories, documents on torture compiled by Amnesty International, legal transcripts of personal injury trials, and military and strategic writings by such figures as Clausewitz, Churchill, Liddell Hart, and Kissinger, 

Scarry begins with the fact of pain's inexpressibility. Not only is physical pain enormously difficult to describe in words--confronted with it, Virginia Woolf once noted, "language runs dry"--it also actively destroys language, reducing sufferers in the most extreme instances to an inarticulate state of cries and moans. Scarry analyzes the political ramifications of deliberately inflicted pain, specifically in the cases of torture and warfare, and shows how to be fictive. From these actions of "unmaking" Scarry turns finally to the actions of "making"--the examples of artistic and cultural creation that work against pain and the debased uses that are made of it. Challenging and inventive, The Body in Pain is landmark work. 

Digital space has provided an important platform for women by enabling them to defy religious and patriarchal values while rendering their demands more visible in the public sphere. By analyzing the stories of 3349 murdered women, consulting 57 activist‐published materials, studying 37 protest‐focused videos, and using digital ethnography, this article explores Turkish women's struggles against femicide. I propose the emancipatory and democratizing counterpublics as an analytical concept to demonstrate how women challenge epistemic injustice and male violence. To this end, I investigate the struggles of women by studying their use of digital space as a means of breaking the silence on femicide, creating data, disseminating knowledge, and seeking justice. This article highlights the essential role of new media technologies in empowering vulnerable groups through the generation of new forms of knowledge, the formation of collective memory, and the elimination of epistemic injustice in opposition to the ruling authorities. The present study contributes to our knowledge of the sociology of epistemic injustice by demonstrating how digital space plays a limited but critical role in the efforts of activists living under authoritarian regimes to defend their fundamental rights to survive and prevent femicide, which has a devastating impact on the lives of millions of women.

In 1900, in a small Prussian town, a young boy was found murdered, his body dismembered, the blood drained from his limbs. The Christians of the town quickly rose up in violent riots to accuse the Jews of ritual murder--the infamous blood-libel charge that has haunted Jews for centuries. In an absorbing narrative, Helmut Walser Smith reconstructs the murder and the ensuing storm of anti-Semitism that engulfed this otherwise peaceful town. Offering an instructive examination of hatred, bigotry, and mass hysteria, The Butcher's Tale is a modern parable that will be a classic for years to come.

Winner of the Fraenkel Award and a Los Angeles Times Best Book of 2002.

For over 25 years, Sarah Lichtsztejn-Montard has tirelessly recounted what she endured during the Second World War, especially to young people. How she and her mother escaped from the Vél’ d’Hiv’ on the first night after the round-up on July 16th, 1942, and how they were reported in May 1944, thrusting them into the maelstrom of Nazi torment: Drancy, the hell of Auschwitz-Birkenau and, finally, Bergen-Belsen, where they were liberated on April 15th, 1945. 

Sarah has put her experiences down on paper for those she cares about most, interspersing the account of her life as a wife and mother deeply marked by the Holocaust with the story of her shattered adolescence.This powerful book delivers a universal message of hope and courage.