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The immigrant detention system in the United States is civil, rather than criminal, and therefore nonpunitive. However, in practice, detained immigrants lacking many basic constitutional protections find themselves in facilities that are often indistinguishable from prisons and jails. In this paper, we explore the crisis of immigrant imprisonment at the affective level, focusing on the painful experiences of immigrant detainees, while also emphasizing its systemic and racialized nature. Specifically, we place a review of a growing body of research that draws connections between immigrant detention and mass imprisonment alongside the findings from numerous reports issued by human rights organizations on the conditions of confinement within immigrant detention facilities. Using a “pains of imprisonment” framework, we highlight four particularly prominent “pains”: containment, exploitation, coercion, and legal violence. We suggest the infliction of such pain, especially when contextualized within a broader history of Latina/o oppression, demonstrates that immigration prisons are in fact punitive, “lawless spaces” where penal oppression is exercised. We conclude with a call for sociologists to become more attentive to this crisis, and to appreciate the similarities between immigration detention and other forms of racialized social control—namely, mass incarceration.

Salie vit en France. Son frère, Madické, rêve de l’y rejoindre et compte sur elle. Mais comment lui expliquer la face cachée de l’immigration, lui qui voit la France comme une terre promise où réussissentles footballeurs sénégalais, où vont se réfugier ceux qui, comme Sankèle, fuient un destin tragique ? Les relations entre Madické et Salie nous dévoilent l’inconfortable situation des « venus de France », écrasés par les attentes démesurées de ceux qui sont restés au pays et confrontés à la difficulté d’être l’autre partout. Distillant leurre et espoir, Le Ventre de l’Atlantique charrie entre l’Europe et l’Afrique des destins contrastés. Car, même si la souffrance de ceux qui restent est indicible, il s’agit de partir, voguer, libre comme une alguede l’Atlantique. Ce premier roman, sans concession, est servi par une écriture pleine de souffleet d’humour.