Virtual Library

Israel's occupation has been transformed in the social media age. Over the last decade, military rule in the Palestinian territories grew more bloody and entrenched. In the same period, Israelis became some of the world's most active social media users. In Israel today, violent politics are interwoven with global networking practices, protocols, and aesthetics. Israeli soldiers carry smartphones into the field of military operations, sharing mobile uploads in real-time. Official Israeli military spokesmen announce wars on Twitter. And civilians encounter state violence first on their newsfeeds and mobile screens.

Across the globe, the ordinary tools of social networking have become indispensable instruments of warfare and violent conflict. This book traces the rise of Israeli digital militarism in this global context—both the reach of social media into Israeli military theaters and the occupation's impact on everyday Israeli social media culture. Today, social media functions as a crucial theater in which the Israeli military occupation is supported and sustained.

“First published in 1950 as Discours sur le colonialisme, it appeared just as the old worlds were on the verge of collapse, thanks in part to a world war against fascism that left Europe in material, spiritual and philosophical shambles. . .This is a book about colonialism, its impact on the colonized, on culture, on history, on the very concept of civilization itself, and most importantly, on the colonizer”. From 2000 edition introduction by Robin D.G. Kelley

In Discriminating Data, Wendy Hui Kyong Chun reveals how polarization is a goal—not an error—within big data and machine learning. These methods, she argues, encode segregation, eugenics, and identity politics through their default assumptions and conditions. Correlation, which grounds big data's predictive potential, stems from twentieth-century eugenic attempts to “breed” a better future. Recommender systems foster angry clusters of sameness through homophily. Users are “trained” to become authentically predictable via a politics and technology of recognition. Machine learning and data analytics thus seek to disrupt the future by making disruption impossible.

Chun, who has a background in systems design engineering as well as media studies and cultural theory, explains that although machine learning algorithms may not officially include race as a category, they embed whiteness as a default. Facial recognition technology, for example, relies on the faces of Hollywood celebrities and university undergraduates—groups not famous for their diversity. Homophily emerged as a concept to describe white U.S. resident attitudes to living in biracial yet segregated public housing. Predictive policing technology deploys models trained on studies of predominantly underserved neighborhoods. Trained on selected and often discriminatory or dirty data, these algorithms are only validated if they mirror this data.

How can we release ourselves from the vice-like grip of discriminatory data? Chun calls for alternative algorithms, defaults, and interdisciplinary coalitions in order to desegregate networks and foster a more democratic big data.

To mobilize support for war and to control dissent, governments draw upon deeply engrained discourses regarding soldiering and the citizen's duty to support the troops. We identify the cultural and political evolution of the discursive legacy of “support the troops” from the Vietnam War through the Iraq War. Using longitudinal and comparative organizational analyses, we analyze how this discursive legacy was engaged by U.S. peace movement organizations (PMOs). PMOs frequently made positive references to U.S. troops during both the Gulf War and Iraq War, creating a stable discourse centered around supporting the troops. Moreover, during the Gulf War the movement expanded the web of support by asking who else should be cared about beyond the troops, thus de-coupling the support discourse from the nation and the state. During the Iraq War, PMOs also developed an elaborated “discourse of betrayal” by redefining what it means to support the troops. Here they deployed proactive, anticipatory discourses, turning the tables on the Bush administration. PMOs also increasingly criticized the troops during the Iraq War due to well publicized human rights abuses. The findings demonstrate that movement discourses are both stable and flexible, influenced by past rounds of discursive contention as well as contemporary political events. We highlight the cultural constraints imposed on movements by dominant discursive legacies, and the strategic responses made by movements in response to emerging discursive opportunities.

In Disenfranchised, Joel Andreas recounts the tumultuous events that have shaped and reshaped industrial relations in China over the past seven decades. Through interviews with workers and managers, Andreas provides a shop-floor perspective of the transformation of hired hands into permanent work unit members, the all-encompassing control of factory party committees, the battles of the Cultural Revolution, and the disenfranchisement of workers through industrial restructuring. Andreas introduces a general theoretical framework to analyze workplace authority relations and closes with an overview of parallel developments around the globe, chronicling the rise and fall of an era of industrial citizenship.

At fifty-two, Professor David Lurie is divorced, filled with desire, but lacking in passion. When an affair with a student leaves him jobless, shunned by friends, and ridiculed by his ex-wife, he retreats to his daughter Lucy's smallholding. David's visit becomes an extended stay as he attempts to find meaning in his one remaining relationship. Instead, an incident of unimaginable terror and violence forces father and daughter to confront their strained relationship and the equallity complicated racial complexities of the new South Africa. 

In La Disparition, the l’OuLiPo author, Georges Perec writes an entire novel without using the letter “e.” The constraint Perec sets himself is built off the equation whereby the disappearance of the letter “e” equals the disappearance of “eux [them],” referring to his parents who disappeared in Auschwitz. The novel in turn is dedicated to “eux.” La Disparition itself tells the story of Anton Voyl, a man who himself has disappeared and left behind him a trail of mysterious notes. 

While most people would not consider sponsoring an orphan's education to be in the same category as international humanitarian aid, both acts are linked by the desire to give. Many studies focus on the outcomes of humanitarian work, but the impulses that inspire people to engage in the first place receive less attention. Disquieting Gifts takes a close look at people working on humanitarian projects in New Delhi to explore why they engage in philanthropic work, what humanitarianism looks like to them, and the ethical and political tangles they encounter.

Motivated by debates surrounding Marcel Mauss's The Gift, Bornstein investigates specific cases of people engaged in humanitarian work to reveal different perceptions of assistance to strangers versus assistance to kin, how the impulse to give to others in distress is tempered by its regulation, suspicions about recipient suitability, and why the figure of the orphan is so valuable in humanitarian discourse. The book also focuses on vital humanitarian efforts that often go undocumented and ignored and explores the role of empathy in humanitarian work.

Boltanski examines the moral and political implications for a spectator of the distant suffering of others as presented through the media. What are the morally acceptable responses to the sight of suffering on television, for example, when the viewer cannot act directly to affect the circumstances in which the suffering takes place? Luc Boltanski argues that spectators can actively involve themselves and others by speaking about what they have seen and how they were affected by it. Developing ideas in Adam Smith's moral theory, he examines three rhetorical 'topics' available for the expression of the spectator's response to suffering: the topics of denunciation and of sentiment and the aesthetic topic. The book concludes with a discussion of a 'crisis of pity' in relation to modern forms of humanitarianism. A possible way out of this crisis is suggested which involves an emphasis and focus on present suffering.